Visualizzazione post con etichetta Greece. Mostra tutti i post
Visualizzazione post con etichetta Greece. Mostra tutti i post

giovedì 29 ottobre 2015

Guerriero del Bronzo, Tomba Intatta.

Bronze Age warrior tomb

 unearthed in SW Greece 





ArchaeoHeritage, Archaeology, Breakingnews, Europe, Greece, Southern Europe 





On the floor of the grave lay the skeleton of an adult male, stretched out on his back. Weapons lay to his left, and jewelry to his right. 





This gold ring with a Cretan bull-jumping scene was one of four solid-gold rings  found in the tomb. This number is more than found with any other single burial  elsewhere in Greece 
[Credit: University of Cincinnati, Pylos Excavations] 



Near the head and chest was a bronze sword, its ivory hilt covered in gold
A gold-hilted dagger lay beneath it. Still more weapons were found by the man's legs and feet. Gold cups rested on his chest and stomach, and near his neck was a perfectly preserved gold necklace with two pendants
By his right side and spread around his head were over one thousand beads of carnelian, amethyst, jasper, agate and gold
Nearby were four gold rings, and silver cups as well as bronze bowls, cups, jugs and basins.




Dagger with a gold hilt overlaid with gold in a rare technique imitating embroidery [Credit: University of Cincinnati, Pylos Excavations]

The above describes what a University of Cincinnati-led international research team found this summer when excavating what was initially thought to be a Bronze Age house. Instead, the team made a rich and rare discovery of an intact, Bronze Age warrior's tomb dating back to about 1500 B.C., and that discovery is featured in The New York Times, in an article titled: A Warrior's Grave at Pylos, Greece, Could Be a Gateway to Civilizations. 


One of six ivory combs found within the warrior's tomb 
[Credit: University of Cincinnati,  Pylos Excavations]




 The find is so extraordinary that UC's Shari Stocker, senior research associate in the Department of Classics, McMicken College of Arts and Sciences, states: "This previously unopened shaft grave of a wealthy Mycenaean warrior, dating back 3,500 years, is one of the most magnificent displays of prehistoric wealth discovered in mainland Greece in the past 65 years." 
Stocker co-leads the team that unearthed the undisturbed shaft tomb, along with Jack Davis, UC's Carl W. Blegen Chair in Greek Archaeology. 
Other team members include UC faculty, staff specialists and students, some of whom have worked in the area around the present-day city of Pylos on the southwest coast of Greece for the last quarter century as part of the Pylos Regional Archaeological Project. 
That UC-based effort is dedicated to uncovering the pre-history and history of the Bronze Age center known as the Palace of Nestor, an extensive complex and a site linked to Homeric legend. 
Though the palace was destroyed by fire sometime around 1200 B.C., it is nevertheless the best-preserved Bronze Age palace on the Greek mainland. 
It was UC archaeologist Carl Blegen, along with Konstantinos Kourouniotis, director of the National Archaeological Museum, who initially uncovered the remains of the famed Palace of Nestor in an olive grove in 1939. 
Located near the present-day city of Pylos, the palace was a destination in Homer's "Odyssey," where sacrifices were said to be offered on its beaches. 
The king who ruled at the Palace of Nestor controlled a vast territory that was divided into more than 20 districts with capital towns and numerous small settlements. 





This unique necklace measures more than 30-inches long and features two gold pendants  decorated with ivy leaves. It was found near the neck of the warrior's skeleton  
[Credit: University of Cincinnati, Pylos Excavations]



 Explains Stocker, "This latest find is not the grave of the legendary King Nestor, who headed a contingent of Greek forces at Troy in Homer's 'Iliad.' Nor is it the grave of his father, Neleus. 
This find may be even more important because the warrior pre-dates the time of Nestor and Neleus by, perhaps, 200 or 300 years. 
That means he was likely an important figure at a time when this part of Greece was being indelibly shaped by close contact with Crete, Europe's first advanced civilization." 
Thus, the tomb may have held a powerful warrior or king -- or even a trader or a raider -- who died at about 30 to 35 years of age but who helped to lay the foundations of the Mycenaean culture that later flourished in the region. Davis speculates, "Whoever he was, he seems to have been celebrated for his trading or fighting in nearby island of Crete and for his appreciation of the more-sophisticated and delicate are of the Minoan civilization (found on Crete), with which he was buried." 
Potential Wealth of Information The team found the tomb while working in the area of the Palace of Nestor, seeking clues as to how the palace and its rulers came to control an area encompassing all of modern Messenia in western Greece and supporting more than 50,000 inhabitants during the Bronze Age. 



The golden necklace of the grave at Ano Englianos 
[Credit: University of Cincinnati,  Pylos Excavations]




 Davis says that researchers were there to try and figure out how the Palace of Nestor became a center of power and when this rise in power began, questions they now think the tomb may help answer. 
Given the magnitude of this find, it may be necessary to rethink when Plyos and the wider area around it began to flourish. It may have been earlier than previously thought since, somehow, whether via trade or force (e.g., raiding), its inhabitants had acquired the valuable objects found within the tomb. 
Many of the tomb's objects were made in nearby Crete and show a strong Minoan style and technique unknown in mainland Greece in the 15th century BC. 





Finds from the grave at Ano Englianos 
[Credit: University of Cincinnati,  Pylos Excavations]




 The same would likely have been true of the warrior's dwelling during this lifetime. 
He would have lived on the hilltop citadel of nearby Englianos at a time when great mansions were first being built with walls of cut-stone blocks (vs. uncut rock and stones) in the style then associated with nearby Mediterranean Island of Crete and its Minoan culture, their walls decorated with paintings influenced by earlier Minoan wall paintings. The weapons of bronze found within the tomb included a meter-long slashing sword with an ivory handle covered with gold. 

Wealth of Jewels and Weaponry 

A remarkable store of riches was deposited in the tomb with the warrior at the time of his death. The mere fact that the vessels in the tomb are of metal (vs. ceramic pottery) is a strong indication of his great wealth. 





The team of Jack L. Davis and Sharon R. Stocker, from the University of Cincinatti  has brought to light this unlooted and extremely wealthy tomb  
[Credit: University of Cincinnati, Pylos Excavations]




 "It is truly amazing that no ceramic vessels were included among the grave gifts. 
All the cups, pitchers and basins we found were of metal: bronze, silver and gold. 
He clearly could afford to hold regular pots of ceramic in disdain," according to Stocker. 

This member of the elite was accompanied in the afterlife by about 50 seal-stones carved with intricate Minoan designs of goddesses as well as depictions of bulls and human bull jumpers soaring over their horns. 
Four gold rings in the tomb contain fine Minoan carvings. 
A plaque of carved ivory with a representation of a griffon with huge wings lay between the man's legs. 
Nearby was a bronze mirror with an ivory handle. 
Archaeological conservator Alexandros Zokos was essential partner in the removal, cleaning and preservation of the finds from the grave. 
The weapons of bronze within the tomb include a meter-long slashing sword with an ivory handle, several daggers, a spearhead, along with the already-mentioned sword and dagger with gold pommels. 




View of the excavation 
[Credit: University of Cincinnati,  Pylos Excavations]




 Other grave gifts originally rested above the dead warrior atop a coffin of wood which later collapsed, spilling a crushing load of objects down on the skeleton -- and making the job of excavation difficult and slow. 



Sharon Stocker standing in the excavated tomb
 [Credit: University of Cincinnati,  Pylos Excavations]

The gifts atop the coffin included bronze jugs; a large, bronze basin; thin bands of bronze, probably from the warrior's suit of body armor; many wild boar's teeth from the warrior's helmet.
 In combination with this weaponry, the discovery of so much jewelry with a male burial challenges the commonly held belief that these apparently "feminine" adornments and offerings accompanied only wealthy women to the hereafter.

Previously Unexplored Field 

What would eventually become the successful excavation of the tomb began on the team's very first day of its field work in May 2015, conducted in a previously unexplored field near the Palace of Nestor. 
They immediately found one of the four walls of the warrior's grave.




This is one of more than four dozen seal stones with intricate Minoan designs  found in the tomb. Long-horned bulls and, sometimes, human bull jumpers  soaring over their horns are a common motif in Minoan designs   
[Credit: University of Cincinnati, Pylos Excavations]




 "We put a trench in this one spot because three stones were visible on the surface," says Davis, adding, "At first, we expected to find the remains of a house. 
We expected that this was the corner of a room of a house, but quickly realized that it was 
the tops of the walls of a stone-lined grave shaft."

In the end, the shaft measured about 5 feet deep, 4 feet wide and 8 feet long. 
It took the team about two weeks to clear the shaft before "we hit bronze," says Stocker. At that point, they realized they might have an exceptional prize: an undisturbed grave shaft, never stripped by looters. 
She explains, "The fact that we had not encountered any objects for almost a meter indicated that whatever was at the bottom had been sealed for a long time." Stocker and Alison Fields, a UC graduate student of classics, did most of the actual excavation because their smaller size allowed them to work more easily and carefully around the tomb and its many precious objects.

What Comes Next 

Both Stocker and Davis say it was good luck to discover this intact grave. Given the rarity of the find, it's unlikely to be repeated. "It's almost as if the occupant wants his story to be told," Davis says. 






A bronze mirror with an ivory handle 
[Credit: University of Cincinnati,  Pylos Excavations]




 And that story will continue to unfold. 

The UC team and others are studying the artifacts in detail, with all artifacts remaining in Greece and their final disposition determined by the Greek Archaeological Service. 

Former UC anthropologist Lynne Schepartz, now of the University of Witwatersrand in Johannesburg, South Africa, will study the skeletal remains. 





The skeleton of an adult male stretched out on his back lay in the grave with  weapons arranged to his left and a hoard of fine jewellery on his right  
[Credit: Denitsa Nonova]


Catalogue of Objects Found Within the Warrior Tomb

- Gold 
Four complete solid-gold seal rings to be worn on a human finger. 
This number is more than found with any single burial elsewhere in Greece. 
Two squashed gold cups and a silver cup with a gold rim 
One unique necklace of square box-shaped golden wires, more than 30 inches long with two gold pendants decorated with ivy leaves. 
Numerous gold beads, all in perfect condition.

- Silver 
Six silver cups.

- Bronze 
One three-foot long sword, with an ivory hilt overlaid with gold in a rare technique imitating embroidery (found at warrior's left chest). 
Under this sword was a smaller dagger with a gold hilt employing the same technique. Other bronze weapons by his legs and feet. 
Bronze cups, bowls, amphora, jugs and a basin, some with gold, some with silver trim.

- Seal Stones 
More than 50 seal stones, with intricate carvings in Minoan style showing goddesses, altars, reeds, lions and bulls, some with bull-jumpers soaring over the bull's horns -- all in Minoan style and probably made in Crete.

- Ivory 
Several pieces of carved ivory, one with a griffon with large wings and another depicting a lion attacking a griffon. Six decorated ivory combs.

- Precious Stone Beads 
An astonishing hoard of over 1000 beads, most with drill holes for stringing together. 
The beads are of carnelian, amethyst, jasper and agate. Some beads appear to be decorations from a burial shroud of woven fabric, suggested by several square inches of cross woven threads which survived in the grave for 3,500 years. 



Source: University of Cincinnati [October 26, 2015]


martedì 10 febbraio 2015

Tomba micenea intonsa




Untouched 

Mycenaean tomb 

found in Central Greece 




An ancient Greek Mycenaean tomb was unearthed in Amfissa, central Greece, during an irrigation project that required excavation in the area. It is a unique finding, the first of its kind that has ever been found in West Locris and one of the few in central Greece. 




The Mycenaean Chamber tomb discovered at Amfissa  [Credit: Greek Reporter] 


The preliminary archaeological study of the findings shows that the tomb was used for more than two centuries, from the 13th to the 11th century B.C.. 
Within the burial chamber archaeologists found a large amount of skeletal material, which had accumulated near the surrounding walls, while a few better preserved burials were also uncovered.  

Furthermore, the excavation revealed forty-four vases with painted decorations, two bronze fragmented vases, as well as gold rings, brass buttons, fragments of semi precious stones, two bronze daggers, female and animal figurines, and a large number of seals with animal, plant and linear patterns. 
The full scientific research regarding the recent finding will be made by a team of archaeologists and it is expected to provide new information about the archaeological and historical development of the region. 

Author: Ioanna Zikakou  
Source: Greek Reporter [February 07, 2015]


sabato 17 gennaio 2015

Kottabos



Prima di essere tutti morti, gli antichi erano certamente molto vivi e gli piaceva divertirsi. Il gioco del bere (Kòttabos, Còttabo) ne è una prova convincente.
- Pare sia stato inventato da uno sconosciuto 'playboy siciliano (di origine greca) verso il 600 a.C.  Egli scommise con i suoi amici che avrebbe colpito la lampada in cima al suo alto stelo con la feccia del vino rimasta nella sua coppa a due manici (kylix). 
Si tratta di un modo piuttosto disastroso (per la pulizia della casa) di condurre una festa (simposio), ma certamente costituisce un'idea spettacolare, destinata ad avere successo tra persone amanti del divertimento e magari un po' annoiate...
- Fu subito modificata la lampada bronzea, in modo da diventare materiale più adatto per il gioco: in cima alla lampada fu posta una statuetta che reggesse un piatto in equilibrio molto precario. A metà dello stelo della lampada fu posto un disco molto largo, in modo che il piatto (plastinix) - cadendo - colpisse il disco (manes) producesse un suono molto simile ad un campanello. Il Kottabos ebbe tanto successo che dalla Sicilia rimbalzò fino alla Madre Patria e si diffuse in Atene e Sparta ed ebbe trecento anni circa di fortuna.
- Il gioco non è affatto facile: per quanto in equilibrio instabile, il piattino è pur sempre di bronzo e quindi relativamente molto pesante... I tiri migliori sono quelli che colpiscono dall'alto il plastinix, pertanto è preferibile prodursi in tiri molto arcuati. 
- Certamente, il gioco era reso più interessante dalla coreografie di giovani schiave - vestite solo di ghirlande di fiori, per non sporcare inutilmente gli abiti - che si chinavano a raccogliere il plastinix, si sporgevano in alto per rimetterlo a posto e poi s'avvicinavano agli intervenuti per rifornire nuovamente le coppe dei partecipanti, semisdraiati sui loro lettini... 

- Pare che vi fossero anche varianti per giocarlo: una consisteva nell'affondare alcuni piattini galleggianti in un recipiente più grande pieno d'acqua. Ad ogni lancio, il partecipante dedicava all'oggetto o persona dei propri desideri e non è difficile intuire come il gioco andasse a finire, visto che le donne 'per bene' (relegate nei ginecei anche a casa propria) non potevano partecipare al simposio, cui prendevano invece parte sempre e volentieri le etere...


Recreating 

the ancient Greek drinking game 

Kottabos 


Years before beer pong was invented, the ancient Greeks played kottabos to pass the time at symposia (drinking parties) where privileged men reclined on cushion couches and played the game that is found illustrated on ancient artworks. 
Women of fine society didn’t attend symposia but hetaires (courtesans) played the sloppy game where winners received all sorts of prizes, such as sweets and even sexual favours.





Banqueter playing the kottabos game; 
kalos inscription in the name of Leagros.  
Side A of the neck of an Attic red-figure neck-amphora, ca. 510 BC. From Vulci  
[Credit: Marie-Lan Nguyen/WikiCommons


Assistant Art History Professor Heather Sharpe of West Chester University in Pennsylvania tried to recreate the game with her students. 
It wasn’t as easy as it appears “because we do have these illustrations of it, but they only show one part of the game – where individuals are about to flick some dregs at a target.” The students used a 3D-printed drinking cup, some diluted grape juice and willing students who soon got the hang of the game and the findings were presented at the annual meeting of the Archaeological Institute of America this month. 

There are two ways of playing, according to texts and art works. 
1) The goal is to knock down a disc carefully balanced a tall metal stand in the middle of the room
2) In another version the goal was to sink small dishes floating in a larger bowl of water
Players hit their target with the leftover wine-dregs at the bottom of their kylix (a two-handled ancient cup with shallow but wide body). 
The tondo, circular curve inside the cup, revealed lewd pictures that were slowly revealed as the  wine disappeared. 
One kylix shows a man wiping his bottom, another shows a man penetrating a woman. 
To achieve the best results in kottabos participants had to toss the wine-dregs overhand at their target as though they were pitching a baseball or throwing a frisbee. 
Ancient Greek players would utter the name of the object of their affection before flinging the wine. 
Luckily slaves were around to clean up the mess left behind as the game was likely to leave everyone splattered with wine and puddles all over the floor. 


Source: Protothema [January 15, 2015]


giovedì 15 gennaio 2015

L'Anello di Teseo

Il famoso "Anello di Teseo", un timbro d'oro montato ad

anello che fu trovato nle 1950 alla Plaka (il distretto in

prossimità del Partenone, che adesso ospita un mercato

delle pulci) e la cui datazione risale al periodo Miceneo è ora

in mostra - dallo scorso lunedì - presso il Museo

Archeologico di Atene.

Nell'anello è rappresentata una scena di "salto del toro", in 

cui compaiono anche marginalmente la figura di un leone e 

di un albero. Inizialmente dichiarato un falso, il reperto del 

XV secolo a.C. fu poi riesaminato da una commissione di 

esperti del Ministero della Cultura e riabilitato come reperto 

autentico.

Sono trascorsi 65 anni dal ritrovamento: questo dimostra che 

gli archeologi greci sono molto più abili di quelli sardi, che 

sono riusciti a tenere nascoste al grande pubblico le statue di 

Monti 'e Prama per molto meno tempo.


Theseus Ring goes on display for the first time 

 The ‘Theseus Ring,’ a gold signet ring unearthed in the Plaka district of Athens in the 1950s and dating back to the Mycenaean period, went on display on Monday for the first time at the Greek capital’s National Archaeological Museum. The ring, which depicts a bull-leaping scene, was initially dismissed as fake before its authenticity was established by a team of Culture Ministry experts. The scene depicted on the 15th century BC artifact also includes a lion and a tree.


 Source: Kathimerini [January 12, 2015]

giovedì 8 gennaio 2015

PERSONA o TRADIZIONE?

Homer is a tradition

not a person

British historian says 


 The ancient Greek poet Homer was not a single person but actually an entire culture of storytelling, a historian has claimed. 






Portrait of Homer, known as Homer Caetani.
Pentelic marble, Roman copy  of the 2nd century CE after a Greek original of the 2nd century BC. From the Palazzo Caetani in Rome 
[Credit: WikiCommons] 



Adam Nicolson
an author and historian who has studied Homer, believes the epic poems of The Iliad and The Odyssey have their origins around 2,000 BC - 1,000 years earlier than the man who wrote them is said to have lived. 
Instead, he claims the stories evolved as a tradition that were shared and refined as spoken poems for hundreds of years. Speaking in an interview with National Geographic, Mr Nicolson, who is the Fifth Baron Carnock, said that the idea of Homer as a single author has emerged due to an 'author obsession'.

He said: 'I think it's a mistake to think of Homer as a person. 
Homer is an "it" - a tradition. 
'An entire culture coming up with ever more refined and ever more understanding ways of telling stories that are important to it.' 

There is very little known about exactly who or what Homer was, but is believed by the ancient Greeks to have been the first great epic poet. 
Some accounts claim he was a blind poet who lived between 1,102BC to 850BC. 
A guild of singing story tellers, or rhapsodes, later emerged known as the Homeridae and has led some to argue that Homer was actually a mythical figure whose name was derived from the guild.




 Some of the earliest written works attributed to Homer were found with the mummified remains of Green Egyptians from around 150-200 BC.

The oldest complete Iliad manuscript is found in the doge's library in Venice and is thought to date from 900AD.
Mr Nicolson, who lives in Kent, said that notes in the margins of this manuscript, which was created in the Constantinople-Byzantium, provide some clues to what the origin of the Iliad may have been.
 He said: 'One of the exciting things that emerge from that is that in the early days it seems there was no such thing as a single Iliad, no one fixed text, but this wild and variable tradition of the stories, with many different versions in different parts of the Mediterranean, endlessly interacting with itself, like a braided stream in the mountains.'

Mr Nicolson said he first became interested in Homer around ten years ago when he began reading The Odyssey while waiting for his yacht to be repaired after it was damaged in a storm while sailing up the west coast of Britain. 
He describes reading The Odyssey as being like somebody 'telling me what it was like to be alive on Earth'. 
Mr Nicolson, who has presented several TV programmes, including one about the history of whaling, has now written a book called The Mighty Dead, or Why Homer Matters in the US, to explore what influence Homer's stories have today. 

He said that he believes many of the poems attributed to Homer have their beginnings around 2,000 BC. He said that large elements of the stories from The Iliad, for example, are shared with stories found in India, Germany and Iceland. He also said that the Iliad also paints the Greeks as lawless violent warriors rather than the civilised society they later became. 
He said: 'That picture of the Greeks doesn't make sense any later than about 1,800 to 1,700 BC. After that, the Greeks had arrived in the Mediterranean and started to create a civil society. 'Before that, they were essentially tribes from the steppes between the Black Sea and the Caspian - nomadic, male-dominated, violent.' 


Author: Richard Gray | Source: MailOnline [January 05, 2015]

Read more at: http://archaeologynewsnetwork.blogspot.it/2015/01/homer-is-tradition-not-person-british.html?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed:+TheArchaeologyNewsNetwork+(The+Archaeology+News+Network)
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venerdì 12 dicembre 2014

AL DI LA' - nell'Antica Grecia

120 reperti, da 21 musei internazionali, volti a descrivere 
nascita e sviluppo nella Grecia Antica 
di uno dei temi che da sempre affascinano 
e rapiscono il pensiero dell'uomo:
il fato dell'anima immortale 
dopo la fine fisica del corpo mortale.
Al Museo dell'Arte Cicladica
ad Atene.



'BEYOND. Death and Afterlife in Ancient Greece' 

at The Museum of Cycladic Art in Athens


   The Museum of Cycladic Art in Athens, in collaboration with the Onassis Foundation (USA) and the Hellenic Ministry of Culture & Sports, presents a fascinating exhibition titled “Beyond. Death and Afterlife in Ancient Greece” which is scheduled to run from December 11 until February 8, 2015. 

 Through 120 objects from 21 Greek and international museums, the exhibition explores one of the most important issues that puzzled and continues to concern humans: the fate of the immortal soul after the death of the mortal body.

 The descriptions in the Homeric epics of the underworld as they were depicted on ancient works of different periods is the starting point of this exhibition. 

As epilogue, the Platonic concepts –which mark the shift of perceptions on the divine element– both as development and in contrast to the Homeric beliefs. 

The show will be divided into 5 thematic sections: 

- The moment of death,

       - Burial Customs, 

            - Homeric Hades, 

                 - Bacchic-Orphic Hades and 

                      - Platonic Hades.


Source: Museum of Cycladic Art 

[December 10, 2014]